Printing on Plastic Film and Sheet: Methods, Inks and Pretreatment

Can you print on plastic film and sheet? How surface energy, ink system and pretreatment decide the answer, how print methods compare, and how to check adhesion first.

High-speed web of flexible plastic film running through steel rollers on an industrial flexographic printing press.
High-speed web of flexible plastic film running through steel rollers on an industrial flexographic printing press.

Printing on untreated plastic wastes ink, plates and press time, because the ink beads up instead of wetting the surface. You can print on most plastic film and sheet once the surface wets well enough for the chosen ink, by raising surface energy with corona, flame or plasma or by applying a primer the ink accepts, and the adhesion is then confirmed on the real material.

Plastic film and sheet print well when three things match: the polymer’s surface, the ink system and the pretreatment. Untreated polyethylene and polypropylene average about 31.6 and 30.5 mJ/m² critical surface tension in literature data compiled by Diversified Enterprises, below the treatment levels that supplier’s guidance gives for most inks. Its published guidance puts solvent-based printing at 36–40 dynes/cm and water-based inks at 40–44, with some laminating and coating jobs at 50 or more. ASTM D2578 adds a caution: the relation between wetting and ink adhesion holds only through experience. So check how the material arrives, treat or prime it where needed, measure the surface, and test adhesion on the real material before you choose a press.

Input or item Typical value or source Why it matters
Polymer Your film or sheet data sheet Sets the starting surface energy
Untreated critical surface tension PE about 31.6, PP about 30.5, PET about 39 mJ/m² (literature averages, Diversified Enterprises) Background comparison only; measure your own material
Ink system Solvent, water-based or UV, from your ink supplier Water-based and UV inks are harder to wet out
Target treatment level Ink supplier’s figure; guidance 36–40 dynes/cm solvent, 40–44 water-based (Diversified Enterprises) Starting point for your specification
Pretreatment Corona, flame or plasma treatment, or a chemical primer Treatments raise surface energy; primers improve ink acceptance; each has side effects
Wetting check Dyne test (ASTM D2578 covers PE and PP film) or water contact angle (ASTM D5946 covers corona-treated polymer film); other surfaces need a confirmed method Shows whether the surface reaching the press wets as intended
Adhesion check Tape test on flexible packaging (ASTM F2252) Wetting alone does not prove adhesion

When evaluating an inkjet addition to an existing line, use the PROSPER Plus 5 substrate and drying checklist to identify the receiving face and downstream checks before a trial.

Can you print on plastic film and sheet?

Yes, most plastic film and sheet can be printed, provided the surface you actually receive suits the ink; some film arrives treated or primed, and much untreated plastic does not. Diversified Enterprises explains that plastics are built from non-polar long-chain molecules, so their surfaces carry little free energy; liquids fail to wet them, which shows up as poor coverage and adhesion. Polyolefins, vinyls, fluorocarbons and silicones are the hardest cases.

The usual fix is to raise surface energy above the surface tension of the ink, or to use a primer the ink accepts. KRĂśSS lists plasma, flame and corona treatment and oxidising chemical processes as the common ways to do that for plastics. ASTM D2578 states the same link for polyethylene and polypropylene film: their ability to retain inks, coatings and adhesives depends mainly on the surface, and treatment improves it. Diversified also warns that some failures, such as delamination on the shelf or ink lift-off, appear only after the job has shipped.

Takeaway: Treat “can I print on it?” as “can I get its surface energy high enough for this ink?”, then test.

The 5-step film print check

Identify the substrate, match the ink system, choose the pretreatment, pick the print method, then verify wetting and adhesion; each step leaves one record, collected in the table below so you can hand it to an ink supplier or printer.

The 5-step film print check establishes traceable verification: identify substrate polymer and incoming surface energy, match the ink system surface tension demand, select surface pretreatment, choose the print method by web format and order volume, and verify ink adhesion under production curing conditions.

Step Record Who confirms
1. Substrate Polymer, thickness, supplier treatment or primer, measured wetting with method and date Film or sheet supplier; your lab
2. Ink system Solvent, water-based or UV; target treatment level Ink supplier
3. Pretreatment Corona, flame, plasma or primer; settings used Treater or primer supplier
4. Print method Format (roll or sheet), order quantity, artwork needs, candidate methods, open questions Printer
5. Verification Wetting at the press, adhesion method and result, pass criteria You and your customer

Takeaway: Fill in the record step by step; a printer or ink supplier can only judge the job from these inputs.

Step 1 — Identify the substrate and its surface

Start with the exact polymer and whether it arrives treated, primed or coated. Untreated surface energy differs widely between plastics, and the table below shows published literature averages compiled by Diversified Enterprises, measured mostly by the Zisman method or the ASTM D2578 wetting tension method. Treated, primed or coated film will read differently, so measure what you actually have.

Polymer (untreated) Critical surface tension, mJ/m² Water contact angle What it suggests
Polypropylene (PP) 30.5 102.1° Needs treatment for most inks
Polyethylene (PE) 31.6 96° Needs treatment for most inks
Polystyrene (PS) 34 87.4° Usually needs treatment
Polymethyl methacrylate (PMMA, acrylic) 37.5 70.9° Check against the ink’s needs
Polyvinyl chloride (PVC) 37.9 85.6° Check against the ink’s needs
Polyethylene terephthalate (PET) 39 72.5° Often supplied primed or treated for print
Nylon 6 43.9 62.6° Higher starting energy; still verify
Polycarbonate (PC) 44 82° Higher starting energy; still verify

Values are averages from many literature sources and methods; mJ/m² is equivalent to dynes/cm. One supplier tip helps with polyester: Diversified notes that polyester film reading consistently below 42 dynes/cm is almost certainly print-primed, a chemical coating that lowers the reading slightly while making the surface accept a wider range of inks. To measure your own material, follow our dyne testing guide or a water contact angle measurement.

Takeaway: Record polymer, supplier treatment or primer, and a measured surface value before anything else.

Step 2 — Match the ink system to the surface

The ink system sets how high the surface energy must be. Diversified’s surface treatment discussion explains that water-based coatings and inks have higher surface tension than solvent-based ones and tolerate surface contaminants and additives less well, and that UV formulations generally share those traits. Its published guidance gives working ranges by ink type.

Ink system Treatment level in Diversified’s guidance What to watch
Solvent-based 36–40 dynes/cm for most printing Solvent handling and drying
Water-based 40–44 dynes/cm usually Less tolerant of additives and contamination
UV and other energy-cured Not given as a range; shares water-based traits per Diversified Viscosity slows levelling; shrinkage during cure
Laminating and some coatings 50 dynes/cm or more for some applications Check the adhesive or coating supplier’s figure

Diversified’s discussion also records that, when water-based and energy-cured systems spread, treatment levels of 34–38 dynes/cm that had worked before led to pinholes, fisheyes and ink lift-off, and that 40 dynes/cm and higher was needed at the press. For polyethylene specifically, ASTM D2578 Note 3 reports 35 dynes/cm or higher as generally acceptable for Type 1 polyethylene tubular film in commercial flexo, and no general level for polypropylene.

Common mistake: Taking a figure from a table as your specification. These are guidance values; your ink supplier’s recommendation for your film and press comes first.

Takeaway: Get the target treatment level from your ink supplier and write it next to the ink system on the job record.

Step 3 — Choose the pretreatment

Corona is the most common choice for film converters, flame dominates for moulded parts and is also used on film, plasma covers specialised needs, and chemical primers remain an option. Diversified explains that corona, flame and plasma raise wettability by adding oxygen-containing groups when run in the presence of oxygen; a primer instead adds a coating the ink accepts, and its effect is set by the primer supplier’s data. Each carries different side effects.

Pretreatment Where it is used Strengths Limits
Corona Films and webs; most common for converters Easy to install, adjustable for web width, cost-effective; bare-roll systems can “bump” treat just before printing Decays with handling, heat and humidity; back-treatment causes blocking and poor heat-seal; ozone; raising by more than 10–12 dynes/cm at once is often inadvisable
Flame Moulded parts mainly; also films, foils, coated board No ozone, pinholing or back-treatment; can exceed 70 dynes/cm on polyolefins; decays much more slowly than corona Slight haze; higher capital cost than corona
Plasma (low-pressure or atmospheric) Batch parts; specialised webs; atmospheric plasma on webs Specific, predictable surface functionalisation Equipment and process complexity
Chemical primer Films supplied primed; parts and sheet Broadens ink acceptance Adds a coating step and material

All figures and assessments in the table come from Diversified Enterprises’ surface treatment discussion. Conductive webs need bare-roll corona systems, and static that builds up on treated film usually needs in-line neutralisation at the open span just before the defect. That location check is in removing static from plastic film. Our Surface Treatment section covers the treatment background.

An industrial corona surface treater station in operation on an extrusion line, showing a polymer web passing across a dielectric roll under an electrode bar.

Illustrative photo — generated editorial image, not a specific equipment model or treatment specification.

Takeaway: Start with corona for most film webs; consider flame where decay or part shape rules corona out but haze is acceptable, plasma for specialised needs, and a primer when treatment alone is not enough.

Step 4 — Pick the print method

Narrow the method by format first, roll-fed film or sheet and parts, then by order quantity and artwork. The table describes the main methods in general terms and lists what to check on film; it does not rank them.

Method How it prints (general description) Fits when What to check on film
Flexography Flexible relief plates transfer fluid ink to a moving web Roll-fed film, long and medium runs, packaging Treatment at the press, ink drying, plate costs
Gravure Engraved cylinders transfer ink Long runs and high image consistency on film Cylinder costs; solvent or water-based ink fit
Screen printing Ink pushed through a mesh stencil Sheet, parts and heavy ink deposits Ink formulated for the plastic; cure
Digital inkjet (including UV-curing) Ink jetted without plates Short runs, variable data, prototypes Ink and primer compatibility; cure; adhesion
Thermal transfer Heat transfers ink from a ribbon Coding, dates, labels on film Ribbon matched to the film; heat on thin film

The decision sequence moves from surface physics to printing logistics: confirm surface energy exceeds ink threshold (treating or priming if needed), then narrow print method by roll or sheet format, run length, and artwork complexity before final adhesion testing.

Short-run digital pouches are a current example of the trade-offs: SunDance’s coffee valve pouch announcement shows how little a release says about film structure and print surface. In-line decoration such as metallic coatings applied during the print run raises the same adhesion questions.

Takeaway: Shortlist two methods by format and quantity, then ask each printer how they check wetting and adhesion on your material.

Step 5 — Verify wetting and adhesion before the run

Measure wetting on the material you will actually print, as close to the press as you can, then test adhesion with the real ink. Wetting is a screening check; an adhesion test shows whether the print held under the agreed method, cure and criteria. ASTM D2578 and D5946 both say their wetting results are not a complete measure of adhesion.

Check Method What it tells you Record
Wetting at the press Dyne test (ASTM D2578, PE and PP film) or water contact angle (ASTM D5946, corona-treated film); for other surfaces, a method confirmed with your supplier or lab Whether treatment reached the print station Reading, method, position across web, time since treatment
Treatment decay Compare readings at unwind and at the print station How much treatment is lost in handling Both readings and the gap
Ink adhesion on flexible packaging Tape test per ASTM F2252 Whether the cured ink stays on Tape, method, result, agreed pass criteria
Ink adhesion on rigid sheet Agreed method with your customer Whether the print stays on sheet Method and result

ASTM F2252 covers ink and coating adhesion on flexible packaging materials whose surfaces are not damaged by the tape, and leaves pass criteria to the user and producer. ASTM D3359, the familiar cross-cut tape test, was developed for coatings on metal; its own note says precision data for plastics is lacking, so agree the method with your customer before using it on plastic sheet. Diversified’s usage notes recommend testing as close to the print station as possible, and report that a virtually immediate loss of 10 dynes/cm after corona treatment is possible.

Continuous printed plastic film rewinding onto an air shaft spindle roll through precision tension rollers at the delivery end of a converting machine.

Illustrative photo — generated editorial image, not a test record or print run warranty.

For details, see how to read a dyne result and act on it, and how water contact angle and surface energy are measured.

Common mistake: Releasing a job because the dyne reading passed. Wetting is necessary, not sufficient; run the adhesion test with the production ink and cure.

Takeaway: Sign off a job only on a passed wetting check at the press and a passed adhesion test with the real ink.

Common print defects on film and what to check

Several common film print defects can involve surface treatment. The first three defects and the treatment-related checks come from Diversified’s discussion and usage notes; the cure and ink-chemistry checks are our suggestions to confirm with your ink supplier. Treat the table as candidate checks, not a diagnosis or a fixed order.

Defect First thing to check Then
Ink beads or crawls Treatment level at the press Treatment decay; additive bloom
Pinholes or fisheyes Treatment level against the ink system Contamination; overtreatment
Ink lifts off on tape Adhesion test and cure Ink chemistry for this polymer; primer
Blocking or poor heat-seal Back-treatment on the reverse side Treater set-up
Uneven print across the web Treatment readings across the width Electrode alignment
Haze after treatment Treatment method Flame haze on optical films

Film print defect troubleshooting links specific visual symptoms to immediate line checks: ink beading indicates low treatment at press; pinholes indicate contamination or overtreatment; ink flaking signals poor cure or resin mismatch; blocking indicates reverse-side back-treatment.

Coatings bring the same questions to paper and board, as in BASF’s reduced-carbon coating binders and Kelpi’s coated paper sachet, though dyne fluids read unreliably on absorbent paper.

Takeaway: Record the treatment readings alongside every defect, and confirm cure and ink questions with your ink supplier.

When this does not apply

This guide covers printing on plastic film and flat sheet with industrial and short-run print processes. It does not apply in these cases:

  • 3D printing and desktop printers. Neither is covered; use the film maker’s stated printer compatibility.
  • Laser engraving and marking. These change the surface rather than printing on it.
  • Process settings. No treater power, line speed or cure settings are given; ask your treater and ink suppliers.
  • Food-contact and migration questions. Ink and coating compliance is a separate assessment.
  • Ranking presses. The method table describes fit, not a winner.

More topics are in Films and Printing.

Takeaway: Use this guide to frame the decision, and confirm settings and compliance with your suppliers.

How we checked this

We compiled this guide on 7 October 2026 from Diversified Enterprises’ published surface treatment discussion, polymer surface energy table, test procedure and usage notes; ASTM’s public abstract pages for D2578-23, D5946-24, F2252/F2252M-25 and D3359-23; and KRÜSS’s surface free energy glossary. Diversified Enterprises and KRÜSS sell testing products. Print method descriptions are general and unranked. We did not print or test samples for this article, and we name no equipment models or prices. See About for how this site works.

Takeaway: Check the current standard editions and your suppliers’ data sheets before using these figures in a specification.

Last updated 7 October 2026 (first published).

Frequently Asked Questions

Can a regular printer print on plastic?

Not reliably on ordinary plastic. Untreated plastics have low surface energy, so ink tends to bead instead of wetting and anchoring. Use only films that their maker states are compatible with your specific printer, and expect smearing or flaking on anything else.

What type of printer can print directly onto plastic?

Industrial flexo, gravure, screen and digital inkjet presses all print on plastic film or sheet when the ink system and surface treatment are matched to the material. The method follows from run length, substrate format and ink; see the five-step check in this article.

What ink will stick to plastic?

Good wetting needs the plastic's surface energy to be clearly higher than the ink's surface tension, and the ink chemistry has to suit the polymer; adhesion itself is shown only by a test. Diversified Enterprises' guidance puts most solvent printing at 36 to 40 dynes/cm and water-based inks at 40 to 44. Confirm adhesion with a tape test.

How to print on plastic material?

Identify the polymer, match the ink system to its surface, choose a pretreatment such as corona, flame, plasma or a primer, pick the print method, and verify wetting and adhesion on a sample before the run. Each step is set out above.

Can you screen print on plastic?

Yes, provided the screen ink is formulated for that plastic and the surface is clean and, where needed, treated or primed. Check adhesion on the actual material before production.

How do you print on polyethylene?

Check whether the film arrives treated and what your ink needs; untreated polyethylene's critical surface tension averages about 31.6 mJ/m2 in literature data, below the levels supplier guidance gives for most inks, so it usually needs treatment. ASTM D2578 notes 35 dynes/cm has generally been acceptable for one case, Type 1 polyethylene tubular film in commercial flexo.

Can you print on plastic bags?

Yes, printed polyethylene bags are made by treating the film, typically with corona, and printing with inks suited to polyethylene. Ask the bag maker for the treatment level at print and an adhesion check, especially for water-based or UV inks.

Technical References & Standards

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